Her paintings focus on everyday structures, corner stores, restaurants, houses, roadside buildings, and signage, treating them as designed environments that quietly influence how people experience and remember the places they live.
Drawing from her background in graphic design and illustration, she pays close attention to colour, typography, and commercial design language. She approaches these elements not as decoration, but as systems of communication shaped by commerce, persuasion, and familiarity. Through painting, she slows these visual languages down, isolating and re-presenting them to consider what is preserved, what disappears, and why certain places linger in collective memory long after they change or are gone.
Based in Calgary, her practice is informed by research, urban observation, and the history of Canadian commercial and vernacular design. Rather than working only from nostalgia or documentation, she positions painting as a form of visual record, one that treats ordinary buildings as cultural evidence of regional identity, economic forces, and the instability of the built environment.
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